sonicsuirrel.net - Latest Releases

Grünanlagen EP

Mon, 14 Sep 2009 15:40:44 +0200

released on 12rec by The Love Songs

This first work of the artist is based on the consideration that life in the city needs a new socialisation of botanic nature. Human cultural property and living nature exchanged positions in the modern urban jungle.
"glitzern" starts this CD with the glitter of the needle, which goes through the lead-out groove. Intense synthesizer motives rise in addition from the depths of the vinyl to go down again. After this rather ambient exercise, "die schönheit der abnutzung" states the floorfiller of the record. Groove by brutal beat-boxing sounds. With "blumen in den fenstern", the love songs floats through the track in one single increase. The song is the key work of this ep. "ein sommer aus beton" closes the grünanlagen ep as crackling as it has begun.

License: Creative Commons | by-nc-sa

m3u: http://sonicsquirrel.net/get/release/m3u/5577
zip: http://sonicsquirrel.net/get/release/zip/5577

Release page: http://sonicsquirrel.net/detail/release/Grunanlagen+EP/5577
Label page: http://sonicsquirrel.net/detail/label/12rec/2

Puzzled EP

Mon, 14 Sep 2009 15:34:55 +0200

released on 12rec by Fuellsand

Track five and six of the fuellsand ep-trilogy. The new compositions appear more intense and compact. With "i didnt even notice" there is a synthie-groover and "the approaching siren" catches up to "sun and paper industry" of the eels ep as a dark jazz-hybrid with heavy stage piano chords. Plus: An euphorical tribute to the g-funk and hot chicks in the artwork. what more can you ask for?

License: Creative Commons | by-nc-sa

m3u: http://sonicsquirrel.net/get/release/m3u/5576
zip: http://sonicsquirrel.net/get/release/zip/5576

Release page: http://sonicsquirrel.net/detail/release/Puzzled+EP/5576
Label page: http://sonicsquirrel.net/detail/label/12rec/2

Eels EP

Mon, 14 Sep 2009 15:34:45 +0200

released on 12rec by Fuellsand

"this afternoon we went for eels" opens with a dominant rave-motive, cricketchirping and a neckbreaking rythmshift. The grumpy drums accentuate the synthline unobtrusively."sun and paperindustry" is mainly build on a strongly repetitive glockenspiel pattern. Fieldrecording, heavy synthesizer chords and the jazzy voice of Lena create a song out of this tricky loop. The eels ep started the fuellsand ep-trilogy, in wich three eps with two songs each are to be released.

License: Creative Commons | by-nc-sa

m3u: http://sonicsquirrel.net/get/release/m3u/5574
zip: http://sonicsquirrel.net/get/release/zip/5574

Release page: http://sonicsquirrel.net/detail/release/Eels+EP/5574
Label page: http://sonicsquirrel.net/detail/label/12rec/2

Sichtbeton LP

Mon, 14 Sep 2009 15:31:49 +0200

released on 12rec by Sichtbeton

Luntes raps talk about human mindstates, sometimes introverted-abstract, then again in direct connection to the city and their residents. Urbanity as inevitableness, not as a farce. On the instrumental level the sichtbeton LP doesn´t move on the safe paths. Noisy pads of expanded field-recordings float through the songs, cuts peel out of the mostly laidback rhythms, dusty drums clatter as there is no connection, but the vocals hold it all together. The tendency to the large gesture, that gives the sichtbeton LP its outrageous diversity und credibility, can be recognized in the choice of the samples. There´s no problem with orchestral strings close to kitsch or passionate synthesizer-flutes.

License: Creative Commons | by-nc-sa

m3u: http://sonicsquirrel.net/get/release/m3u/5573
zip: http://sonicsquirrel.net/get/release/zip/5573

Release page: http://sonicsquirrel.net/detail/release/Sichtbeton+LP/5573
Label page: http://sonicsquirrel.net/detail/label/12rec/2

The Days are just packed

Mon, 14 Sep 2009 15:31:44 +0200

released on 12rec by Fuellsand

Strings, Harps, Child Choirs.
Fuellsand rallied a bunch of friends from the extended 12rec. network round themselves and created an atmospheric and intense collection of dark song hybrids. The path of minimal music, indierock and electronica, prescribed by the 3 EPs is getting expanded by different elements: Jazz-Trumpet player G. v. Abendroth and DJ Freeze focus and shape material that turned out rather ambient in the past, the love songs (now living in Berlin) adds explicit beats and Nils, Michael and Simon (of Majestik12-fame) improvise over heavy Rhodes-chords. Apart from that Marvin Gaye can start leaving the throne: Just listen to popsicle at the sewers!

License: Creative Commons | by-nc-sa

m3u: http://sonicsquirrel.net/get/release/m3u/5572
zip: http://sonicsquirrel.net/get/release/zip/5572

Release page: http://sonicsquirrel.net/detail/release/The+Days+are+just+packed/5572
Label page: http://sonicsquirrel.net/detail/label/12rec/2

Bars Closing Down

Mon, 14 Sep 2009 15:31:40 +0200

released on 12rec by Milhaven

This release comes up with heavy guitar-drones.Comparable to mogwai or do make say think, these guys combine the groove and harsh power of noiserock with unearthly beautiful melodies. No need for a vocalist when you're able to let your guitars sing!When Simon and me entered this hole for the first time, it was outside nearly as cold as inside. Remarkably less damp it wasn´t eighter down there, so that the sloppy roughcasted walls made a perfect ground for this magnificent mold. Simon plucked up all his courage and sat down on the scary looking couch (in a movie this would have made a smushy sound). Meanwhile I set up the old four track machine and the guys started playing to warm up.
Our first plan, to record every instrument seperately, turned out as impracticable. This band doesn´t work as a combination of different musicians. Milhaven are so grown together with themselves, their instruments and the delay in rehersals (as on stage, if it runs well), that every try of overdubbing would equal an amputation. So we took the risk of a hearing defect and recorded it all live...Our production is surely only able to sketch a draft of the intensity of this band. But the love and the complete devotion of this young men to their rough, epic and unreal beautiful songs are indeed noticable in every note. Please listen to this LP as loud as possible.

Tags:POST ROCK,

License: Creative Commons | by-nc-sa

m3u: http://sonicsquirrel.net/get/release/m3u/5571
zip: http://sonicsquirrel.net/get/release/zip/5571

Release page: http://sonicsquirrel.net/detail/release/Bars+Closing+Down/5571
Label page: http://sonicsquirrel.net/detail/label/12rec/2

Tupolev EP

Mon, 14 Sep 2009 15:31:35 +0200

released on 12rec by Tupolev

it takes tupolev three songs and exactly 12 minutes and 17 seconds to raise their voices. and when they do so, nothing really happens- their singing isn't meant for grapping one's attention, to carry emotion or even content. it's just a further instrument to accomplish their certain vision of contemporary avant-garde folk music. throughout that EP there is a feeling of vagueness and stumbling.
tupolev play very slow, add a lot of time-changes and keep rolling around all common harmonies. it's a kind of jazz music, for tupolev know exactly what they're doing: song number four, called as for misery, sounding like a sad drunken sailorman walking home at five o'clock in the morning, deep minor chords, singing, fieldrec, a little drums. but boy, after seven minutes the sun seems to rise; sounds increase like the city awakens and a melody as-beautiful-as-it-can-get emerges from the depths, lasting only for a few seconds before the song ends. on the other end of the spectrum there is rnd, the song afterwards, a mathematical piece of chamber-folk, precise and perfect.due to all mentioned musical qualities, also the tupolev-sound is awesome. the piano is dry and dusty, the drums sound everything else but fat and vocals aren't put upfront. simply perfect, no doubt!

License: Creative Commons | by-nc-sa

m3u: http://sonicsquirrel.net/get/release/m3u/5570
zip: http://sonicsquirrel.net/get/release/zip/5570

Release page: http://sonicsquirrel.net/detail/release/Tupolev+EP/5570
Label page: http://sonicsquirrel.net/detail/label/12rec/2

3bit Pankow EP

Mon, 14 Sep 2009 15:31:29 +0200

released on 12rec by Sichtbeton

compared with the sichtbeton LP, you might find the former 3bit pankow EP more low-keyed or even less catchy; rap music as a guide for producing does not play an important role after all. lunte, who has contributed most of the beats and sounds, uses his background as a source of inspiration to expand the borders of hip hop into ambient and electronica. for instance, he does no straight rapping on this record, although he is working with voices extensively.the songs billow up and down, layer-by-layer jens adds synthesizers, vocal-fragments and field-recordings, always approaching climax from the back, still being able to find the right moment to let the songs end. foggy jazz-chords give rise to simple but effective melodies. there is a certain connection to the works of anticon's sole and especially cLOUDDEAD, with whom sichtbeton share the 'flow' on this record: pieces quite ambient (harmonizer) are next to downright house tracks (der antistatische mann) and moody instrumental hip hop, like it's nothing special.you can find the sichtbeton LP's disenchanting realism being outlined though the 3bit pankow EP (produced within the same year) by sort of artificial darkness, that does not emerge from berlin-pankow backyards. for real, it comes deep from the listener's hearts. 3bit: heart, soul, mind.

Tags:HIP HOP, INSTRUMENTAL,

License: Creative Commons | by-nc-sa

m3u: http://sonicsquirrel.net/get/release/m3u/5568
zip: http://sonicsquirrel.net/get/release/zip/5568

Release page: http://sonicsquirrel.net/detail/release/3bit+Pankow+EP/5568
Label page: http://sonicsquirrel.net/detail/label/12rec/2

Ask No Lies

Mon, 14 Sep 2009 15:31:08 +0200

released on 12rec by Rob Steady

when you go through the reviews stèphane received for his obadia-release with ADIM, you'll find critics being confused about how to judge his music. is it danceable, does it move my butt? might stèph even be innit for popmusic as you can always find a moment of melody to stick to? or are there more academical reasons, something about recycling, glitch-asthetics and stuff? thing is, as we here at 12rec believe, stéphane prefers fooling around with genres. if you listen to the hot new rob steady EP, you'll find him getting more abstract and experimental.stèphane asked us not to write too much about the music, so we're just trying to give you an idea. what do you expect?hurry to order the CDR, as first edition copies come up with a limited nice little poster to decorate your living room.

Tags:CUT-UP, MICRO FUNK,

License: Creative Commons | by-nc-sa

m3u: http://sonicsquirrel.net/get/release/m3u/5567
zip: http://sonicsquirrel.net/get/release/zip/5567

Release page: http://sonicsquirrel.net/detail/release/Ask+No+Lies/5567
Label page: http://sonicsquirrel.net/detail/label/12rec/2

Hope Street

Mon, 14 Sep 2009 15:30:44 +0200

released on 12rec by Engine7

Engine7 is a project by Alan McNeill from Glasgow. We're releasing his Hope Street EP in a renewed cooperation with 12rec., after the netlabel he previously dealt with, µHz, had to cease operations. Alan got in contact with Legoego's Dataman (who also did the mastering) to find a new home for his tracks, so here we are. His music is not easy to describe. To me, it sounds a little 90's, but without being retro. Consider artists like tricky, portishead or dj shadow you might get an impression of the mood and the sound Engine7, at least partly, represents. The glitch of postmodern UK electronica seems to play no further role in his productions. Nevertheless, it's the influence of independent rock, or even pop music that makes his EP this remarkable. Alan doesn't try to make innercity coffee bars sound better. He digs himself into sound and melody, bringing odd musical ideas like uncut diamonds to the surface; it feels like listening to a my bloody valentine-record for the first time: you can't believe where these harmonies come from!Postrock and triphop, to name the genres you mustn't name, share - next to melodic deepness - a somehow repetetive flow, emerging from sample patterns as well as minimal instrumentals. Alan manages to link these genres without writing 'avantgarde' on his forehead. He gives them an ambient reprise, not afraid of adding expanded voice-sampling (stella, we're sorry), slight singing or neo-classical film music (you'll hear sounds like a reference to joe hisaishi). Great release, thank you Alan, thank you 12rec.!If you want more then 192kbp/s mp3 then visit www.12rec.net to oder the handmade CD-R release!

License: Creative Commons | by-nc-sa

m3u: http://sonicsquirrel.net/get/release/m3u/5566
zip: http://sonicsquirrel.net/get/release/zip/5566

Release page: http://sonicsquirrel.net/detail/release/Hope+Street/5566
Label page: http://sonicsquirrel.net/detail/label/12rec/2

Skism EP

Mon, 14 Sep 2009 15:30:17 +0200

released on 12rec by Skism

have you seen this short mobile-phone commercials a few month ago? you can watch a cool beauty folding her apartment and interior together, putting it all in her cute hand-bag. do you remember the soundtrack? i was confused finding more or less-known american bleep hop-kid dabrye set the music to an attvertisment-clip, and i was curious if skism couldnt have done as good as him.in fact hes good at melodies, his beats are as tight as playful, and david brings it all together in pretty firm songs. consider cylinder, melt or especially guido de montifeltros spring top hat (you might know this one from the sbh!-sampler, remember?). electronic hip-hop with a strong harmonic basement, and nobody misses the rapper! ghostbuster skism adds two upright jazzy interludes (GBS & the elevator muzak stodj) and gets in contact with early autreche at flere or surfaise.with the replacement of his main computer, david lost all his tracks and only a couple of mixdowns were left. thanks to dataman, we could give the remaining data a proper mastering, althought you might recognize some minor crackling that shouldnt be there. at least this must have been motorolas base motive for not getting in contact with david...

License: Creative Commons | by-nc-sa

m3u: http://sonicsquirrel.net/get/release/m3u/5564
zip: http://sonicsquirrel.net/get/release/zip/5564

Release page: http://sonicsquirrel.net/detail/release/Skism+EP/5564
Label page: http://sonicsquirrel.net/detail/label/12rec/2

EP02

Mon, 14 Sep 2009 15:25:20 +0200

released on 12rec by jasmin

does complex music necessarily have to sound complicated? jasmin are back with four more songs to find out about.
like on cecil taylor's 'unit structures' it is not about naming every note or every odd meter. it is more about the beauty that lies beyond. taylor mixes modern classical music, bebop and free jazz. jasmin add portions of rock and pop. the three chaps from munich present their second EP on 12rec in another exclusive collaboration with rotesonne records.
lernen von maedchen starts with some programmed beats and a filtered vibraphone. clean guitar- and bass-tones are added and sketch the typical harmony-patterns your know jasmin for. everything remains fragile until the drums come in. a repetitive guitar formulates the songs main motive, volume increases, and distortion and feedback gather like storm clouds at the horizon until the song erupts in a monsoon-like shower. heute im stadion is jasmin's version of contemporary hardrock. the title refers to 'stadium' and can be read as an ironical statement concerning huge rockband-riffing. read this one within the (soccer-) context of holger fach from the first EP! rote sonne spins forth the thread of high-energy riffing. but jasmin take it very slow this time, the song has a nearly sluggish feel. as if they had recorded it in scorching heat. does koeln (cologne) ultimately really last for eight minutes? the EP closes with a bewitching popsong that makes time fly by. jasmin throw out their net of entwined jazzy harmonies and pull it back with rich prey. 12rec loves you, guys.

License: Creative Commons | by-nc-sa

m3u: http://sonicsquirrel.net/get/release/m3u/5563
zip: http://sonicsquirrel.net/get/release/zip/5563

Release page: http://sonicsquirrel.net/detail/release/EP02/5563
Label page: http://sonicsquirrel.net/detail/label/12rec/2

Treehugger EP

Mon, 14 Sep 2009 15:25:13 +0200

released on 12rec by Daniel Maze

there are different approaches to noise in electronic music. technically, noise is described as an equal amount of output in all present frequencies ('white noise') and sounds pretty boring. people tend to mix their original signals with fragments of noise to get a more individual, maybe more haptical sound; on the other hand, a lot of strictly experimental music uses noise as the main source of audio, shifted in frequency and amplitude, fed back to the machines or distorted and delayed.why do you have to know about noise when you want know about daniel maze? his treehugger EP is full of noise! like a graphic designer adding certain samples of pixelated dirt to his 'clean' graphics, daniel uses different forms of unspecific audio to break the unreflected beauty of his compositions. april and pantomime for example are tricky four-to-the-floor house-tracks, with a beat that's playful and danceable, good melodies and a lot of warmth. still they might sound a bit 'easy listening' if the noises were missing. but they don't! jan jelinek's farben-alter ego might be a good reference. for manhattan and playground minaturette, daniel adds some more pop and gives his music a more indietronic-appeal without loosing relevance. the title track and ambulance chase at position five and six get into pop-music even deeper- pearling piano motives, smooth guitar pickings and vocal-samples make daniel sound like akufen, 70s electronic music and, ähem, art rock. you've got to listen to believe.after all, daniel maze is familiar with drone, harsh noise and experimentalism, too. if you listen to his former and future releases at italian netlabel sinewaves, you'll find deleting nearly all residues of pop in his music. both sides are important and require themselves, as he says.

License: Creative Commons | by-nc-sa

m3u: http://sonicsquirrel.net/get/release/m3u/5562
zip: http://sonicsquirrel.net/get/release/zip/5562

Release page: http://sonicsquirrel.net/detail/release/Treehugger+EP/5562
Label page: http://sonicsquirrel.net/detail/label/12rec/2

As Seen From Above

Mon, 14 Sep 2009 15:25:05 +0200

released on 12rec by El Senor Ciuf Ciuf

i got an email from our dear friend stephane obadia. he told me about this guy from italy that calls himself after the sound of a steam train, ciuf ciuf, got it? steph was very excited bout his music and so are we.
just check the first song i feel like a clean blackboard: along with his mates matteo mohorovicich at sax & clarinet and daniele dalla pellegrina at trumpet, oliviero farneti creates a surprisingly catchy and slightly surrealistic pop-song that knows about dance-music, lo-fi indierock and jazz (!). bet you'll whistle this one when you leave the house. we the ants sucks you in with his beautiful warm guitar-riffing. this song didn't leave my head for weeks! it ends with a little free-jazz woodwind-intermezzo. stunning. i think i saw a dead person walking yesterday expands olivieros sound-cosmos back to the sixties- these sweet vocal-harmonies in the middle make you think of the beach boys immediately. along with cheap synth-melodies, noisy wall-of-sound guitars and the trademark-woodwinds of matteo and daniele, by the way. demons, song seven, introduces the housy bassdrum and could have fit on the last gorillaz-album without a problem. the unspeakable chant of a collapsing universe afterwards exactly sounds like this: about nine minutes of psychedelic kraut-pop build on a small repetitive synth-motive. el senor ciuf ciuf waves hello to the early flaming lips.
indeed, this description might sound a little weird. the album doesn't! although there are a lot of moods and styles to be heard, oliviero's melodies, his voice and his sound of lo-fi homerecording hold it all together.the beautiful artwork is an adaption of a comic short story by joey weiser from the US. the CDR-edition (limited to 50 hand-numbered copies) comes with four coloured cardboard-cards printed with the story "flight". check his homepage and order all the other mini comics, they're worth it!

Tags:LO-FI, INDIE POP,

License: Creative Commons | by-nc-sa

m3u: http://sonicsquirrel.net/get/release/m3u/5561
zip: http://sonicsquirrel.net/get/release/zip/5561

Release page: http://sonicsquirrel.net/detail/release/As+Seen+From+Above/5561
Label page: http://sonicsquirrel.net/detail/label/12rec/2

Junique Fois Pi / Hermelin Split

Mon, 14 Sep 2009 15:24:56 +0200

released on 12rec by Hermelin

did you ever wonder what these kids are doing in their free time? you watch them talking to each other in the tube, realize their worn out shoes and shirts with names you never heard of, hair too long and dirty to suit any future mother-in-law.
the one small group, four young lads from hanover in germany, call themselves after an elegant little beast of prey former kings made their coats from- hermelin (ermine). risen from the ashes of their old name, they are striking for the grail of avant-garde rockmusic without vocals but melody and fine dynamics. hermelin emancipated from grunge and alternative rock just now and still you may recognize some hardrockish elements in their music. no stupid jokes about hanover, please! the band manages to integrate these influences harmonically and develops its own sound between acts like juno or the early shudder to think.
the three chaps from the other group seem to be a bit older. junique fois pi (don't wonder 'bout the name) settle their rough music right between noise- and postrock. the bass guitar is distorted and mixed upfront, the songs are pushing forward, their jazzy melodies are dosed with care. in a straight line from chicago to new york and washington junique fois pi bring forth their dischord-sound from the city of electronic music, cologne, and succeed in avoiding any heavy metal-shallows. comparison? think of unsane, lungfish or a gentle version of shellac.
the kids are into music, you realize. not the one you can hear on the radio, music you have to know about, music you have to look up. if 12rec's been a help to find what you are looking for, we're done.

License: Creative Commons | by-nc-sa

m3u: http://sonicsquirrel.net/get/release/m3u/5560
zip: http://sonicsquirrel.net/get/release/zip/5560

Release page: http://sonicsquirrel.net/detail/release/Junique+Fois+Pi+/+Hermelin+Split/5560
Label page: http://sonicsquirrel.net/detail/label/12rec/2

Sky Diaries EP

Mon, 14 Sep 2009 15:24:48 +0200

released on 12rec by Crepusculum

The young lad behind the Crepusculum-moniker is Fred Baty from London. 'Crepusculum' is latin for sundown and suits the music of our December-release perfectly: the day is done, you're creeping home to take a rest, to chat with the ones you love, to do what life REALLY is about. This ambience of being-at-home is a also a fairly good Christmas-motive, so maybe the best time to enjoy Fred's Sky Diaries EP is now...What does it sound like? If you're down with the 12rec.-backcatalogue, you'll probably remember the Dusty Window EP by Californian Giraffe. Like him, Fred uses his acoustic guitar for most of his compositions. Folk is an important influence, and the boy Baty surely enjoys the last 40 years' classical Pop-bands. But in distinction to Giraffe, Fred doesn't intend to write 'songs' like them- his instrumental Pop-music avoids vocals, is built from clever structures, unusual harmonic layering and a talent to let songs end. No psychedelic Freak Folk-jams in here! The late Talk Talk might be a good comparison, you can mention Brian Wilson, Sufjan Stevens or German Postfolk-duo Taunus. In all, you will enjoy his music even if it is of no importance to you that Fred's influences are more like jazz, contemporary composing or folklore - beauty is something everyone understands.Big shout-outs to Bill 'Herzog' Bawden from the Serein-collective who contributed the remix!

License: Creative Commons | by-nc-sa

m3u: http://sonicsquirrel.net/get/release/m3u/5559
zip: http://sonicsquirrel.net/get/release/zip/5559

Release page: http://sonicsquirrel.net/detail/release/Sky+Diaries+EP/5559
Label page: http://sonicsquirrel.net/detail/label/12rec/2

Into Vernadsky EP

Mon, 14 Sep 2009 15:24:34 +0200

released on 12rec by Astrowind

Kriipis Tulo and Mahi Bukimi form the duo Astrowind. Travelling the rusty railroad between Riga and the white shores of the Baltic Sea, they met in 2003 to perform a few live improvisations on old Soviet synthesizers. Things did seem to work out and Astrowind decided to go ahead with their cinematic music. I got in contact with Tulo and Bukimi for my review of their debut EP "The Night the Stars Flew" which has been released at the Russian ElectroSound-Netlabel. Immediately I fell in love with their beautiful and anachronistic Paleopsychedelic Ambient (as Astrowind term their music) and was happy to hear that there is a couple of new tracks waiting for a release. That's how "Into Vernadsky" came to be.
While the debut was more like watching the stars on a windy night, "Into Vernadsky" has a rather oceanic feel. “Welcome to the Past” starts off with fat sonar-like bleeps while the harmonic synth- and organ-chords in the back seem to pass tons of salty water before they reach your ear. The second song, mysteriously entitled “Rusty Trumpet of Youth”, has a similar feel. Squeaking synthesizers and a millions bubbles beneath. The “Connections of Everything”-trilogy afterwards marks the slow ascension from the bottom of the ocean to the bright and lovely shores atop. If you are a fan of the Herzog EP we released in May 2007, maybe you dig these tunes, too. Despite all the differences.
The second half of "Into Vernadsky" EP begins with “Vernadsky Choice”. Astrowind combine sweet organ-chords with a crackling and hissing synthesizer pulse. Check the Jean-Michel Jarre filter sweeps! At position seven, “Starry Night Horseriding” takes on a slightly more resolute temper. Very dense, you can imagine the starlight landscape taking a flight before your eyes. “I’d Like to Return” is the last song before the EP fades out with the final tune “Blake”. There is a strong atmosphere of menace in it, a certain kind of tension… haunting. Reminds me of German Krautrock pioneers Cluster- and that is the best I can give!

License: Creative Commons | by-nc-sa

m3u: http://sonicsquirrel.net/get/release/m3u/5558
zip: http://sonicsquirrel.net/get/release/zip/5558

Release page: http://sonicsquirrel.net/detail/release/Into+Vernadsky+EP/5558
Label page: http://sonicsquirrel.net/detail/label/12rec/2

Blackwater Mysteries- Quiet but Twisted

Mon, 14 Sep 2009 14:49:13 +0200

released on BFWrecordings by Alexander

A collection of four or more dark and moody songs that come somewhere between rock and experimental music.
Marvellous stuff from a very talented new artist.

sonicsuirrel.net - Latest Releases

Grünanlagen EP

released on 12rec by The Love Songs

Puzzled EP

released on 12rec by Fuellsand

Eels EP

released on 12rec by Fuellsand

Sichtbeton LP

released on 12rec by Sichtbeton

The Days are just packed

released on 12rec by Fuellsand

Bars Closing Down

released on 12rec by Milhaven

Tupolev EP

released on 12rec by Tupolev

3bit Pankow EP

released on 12rec by Sichtbeton

Ask No Lies

released on 12rec by Rob Steady

Hope Street

released on 12rec by Engine7

Skism EP

released on 12rec by Skism

EP02

released on 12rec by jasmin

Treehugger EP

released on 12rec by Daniel Maze

As Seen From Above

released on 12rec by El Senor Ciuf Ciuf

Junique Fois Pi / Hermelin Split

released on 12rec by Hermelin

Sky Diaries EP

released on 12rec by Crepusculum

Into Vernadsky EP

released on 12rec by Astrowind

Blackwater Mysteries- Quiet but Twisted

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LHC

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released on enoughrecords by Archétypo 120

Agarez/Arnal

released on enoughrecords by Massacre Divino

Min's Illusion

released on enoughrecords by Minson

kueyen

released on restingbell by strom noir

Tamara and Demon

released on enoughrecords by Muhmood

At the House of Dolls

released on enoughrecords by Teatro Grotesco

Synesthesia